I should say that, take them all round, they are a good
average sample of apostle as apostles generally go. Two or three of
them are nervously anxious to find appropriate quotations in books
that lie open before them, which they are searching with eager
haste; but I do not see one figure about which I should like to say
positively that it is either good or bad. There is a good bust of a
man, matching the one in the Birth of the Virgin chapel, which is
said to be a portrait of Giovanni d'Enrico, but it is not known whom
it represents.
Outside the church, in three contiguous cells that form part of the
foundations, are:--
1. A dead Christ, the head of which is very impressive, while the
rest of the figure is poor. I examined the treatment of the hair,
which is terra-cotta, and compared it with all other like hair in
the chapels above described; I could find nothing like it, and think
it most likely that Giacomo Ferro did the figure, and got Tabachetti
to do the head, or that they brought the head from some unused
figure by Tabachetti at Varallo, for I know no other artist of the
time and neighbourhood who could have done it.
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