2. A Magdalene in the desert. The desert is a little coal-cellar
of an arch, containing a skull and a profusion of pink and white
paper bouquets, the two largest of which the Magdalene is hugging
while she is saying her prayers. She is a very self-sufficient
lady, who we may be sure will not stay in the desert a day longer
than she can help, and while there will flirt even with the skull if
she can find nothing better to flirt with. I cannot think that her
repentance is as yet genuine, and as for her praying there is no
object in her doing so, for she does not want anything.
3. In the next desert there is a very beautiful figure of St. John
the Baptist kneeling and looking upwards. This figure puzzles me
more than any other at Montrigone; it appears to be of the fifteenth
rather than the sixteenth century; it hardly reminds me of
Gaudenzio, and still less of any other Valsesian artist. It is a
work of unusual beauty, but I can form no idea as to its authorship.
I wrote the foregoing pages in the church at Montrigone itself,
having brought my camp-stool with me.
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