As for the little Virgin herself,
I believe her to be a fine boy of about ten months old. Viewing the
work as a whole, if I only felt more sure what artistic merit really
is, I should say that, though the chapel cannot be rated very highly
from some standpoints, there are others from which it may be praised
warmly enough. It is innocent of anatomy-worship, free from
affectation or swagger, and not devoid of a good deal of homely
naivete. It can no more be compared with Tabachetti or Donatello
than Hogarth can with Rembrandt or Giovanni Bellini; but as it does
not transcend the limitations of its age, so neither is it wanting
in whatever merits that age possessed; and there is no age without
merits of some kind. There is no inscription saying who made the
figures, but tradition gives them to Pietro Aureggio Termine, of
Biella, commonly called Aureggio. This is confirmed by their strong
resemblance to those in the Dimora Chapel, in which there is an
inscription that names Aureggio as the sculptor.
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