It may be, again, that ever so many years hence, when Mr. Darwin's
earth-worms shall have buried Oropa hundreds of feet deep, someone
sinking a well or making a railway-cutting will unearth these
chapels, and will believe them to have been houses, and to contain
the exuviae of the living forms that tenanted them. In the
meantime, however, let us return to a consideration of the chapel as
it may now be seen by anyone who cares to pass that way.
The work consists of about forty figures in all, not counting
Cupids, and is divided into four main divisions. First, there is
the large public sitting-room or drawing-room of the College, where
the elder young ladies are engaged in various elegant employments.
Three, at a table to the left, are making a mitre for the Bishop, as
may be seen from the model on the table. Some are merely spinning
or about to spin. One young lady, sitting rather apart from the
others, is doing an elaborate piece of needlework at a tambour-frame
near the window; others are making lace or slippers, probably for
the new curate; another is struggling with a letter, or perhaps a
theme, which seems to be giving her a good deal of trouble, but
which, when done, will, I am sure, be beautiful.
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