It is to be regretted that many
artists, better-known men, have not been satisfied with the humbler
ambitions of this most amiable and interesting sculptor. If he has
left us no laboured life-studies, he has at least done something for
us which we can find nowhere else, which we should be very sorry not
to have, and the fidelity of which to Italian life at the beginning
of the eighteenth century will not be disputed.
The eighth chapel is that of the Sposalizio, is certainly not by
Aureggio, and I should say was mainly by the same sculptor who did
the Presentation in the Temple. On going inside I found the figures
had come from more than one source; some of them are constructed so
absolutely on Valsesian principles, as regards technique, that it
may be assumed they came from Varallo. Each of these last figures
is in three pieces, that are baked separately and cemented together
afterwards, hence they are more easily transported; no more clay is
used than is absolutely necessary; and the off-side of the figure is
neglected; they will be found chiefly, if not entirely, at the top
of the steps.
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