Much lying, and all irony depends on tampering with covenanted
symbols, and making those that are usually associated with one set
of ideas convey by a sleight of mind others of a different nature.
That is why irony is intolerably fatiguing unless very sparingly
used. Take the song which Blondel sang under the window of King
Richard's prison. There was not one syllable in it to say that
Blondel was there, and was going to help the king to get out of
prison. It was about some silly love affair, but it was a letter
all the same, and the king made language of what would otherwise
have been no language, by guessing the meaning, that is to say, by
perceiving that he was expected to enter then and there into a new
covenant as to the meaning of the symbols that were presented to
him, understanding what this covenant was to be, and acquiescing in
it.
On the other hand, no ingenuity can torture "language" into being a
fit word to use in connection with either sounds or any other
symbols that have not been intended to convey a meaning, or again in
connection with either sounds or symbols in respect of which there
has been no covenant between sayer and sayee.
Pages:
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335