Clive ready her Case for the press. Certainly the
"correctness" of that printed text could not have been achieved by her
alone. Cf. Clive's MS letters, Appendix, "An Edition of the
Afterpieces."
[13] See Crean, "Life and Times," p. 215. A pertinent example of actors'
seeking redress is, of course, the revolt of 1694-1695, described by
John Downes, _Roscius Anglicanus_ (London. 1708), pp. 43-44; Augustan
Reprint Society publication number 134 (Los Angeles, 1969), with an
Introduction by John Loftis, is a facsimile of the first edition.
[14] See Arthur H. Scouten, "Introduction," _The London Stage_
(Carbondale, III.: Southern Illinois University Press, 1961), Pt. 3,
xcv, cxlvii, and Dramatic Congress, p. 20.
[15] Cf. James Ralph, _The Case of our Present Theatrical Disputes_
(London, 1743), pp. 3, 48.
[16] _The Case Between the Managers of the Two Theatres, and their
Principal Actors_ (London, 1743, misdated 1713), p. 20. Cf. _An
Impartial Examen_ (London, 1744), pp. 10-11, 21-22. See also the three
_Queries_ pamphlets: _Queries to be Answered by the Manager of
Drury-Lane_ (London, 1743); _Queries upon Queries_ (London, 1743); _A
Full Answer to Queries upon Queries_ (London, 1743).
[17] (London, 1744), pp. 15-16.
[18] _Dramatic Congress_, p. 22. Thomas Davies, _Memoirs of the Life of
David Garrick_, 3rd Ed. (London, 1781), I, 90, says of Rich: he "seems
to have imbibed, from his very early years, a dislike of the people with
whom he was obliged to live and converse.
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