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Birkhead, Edith

"A Study of the Gothic Romance"

But
alarm is needless; for, although _Caleb Williams_ attempts to
reveal the oppressions that a poor man may endure under existing
conditions, and the perversion of the character of an aristocrat
through the "poison of chivalry," the story may be enjoyed for
its own sake. We can read it, if we so desire, purely for the
excitement of the plot, and quietly ignore the underlying
theories, just as it is possible to enjoy Spenser's sensuous
imagery without troubling about his allegorical meaning. The
secret of Godwin's power seems to be that he himself was so
completely fascinated by the intricate structure of his story
that he succeeds in absorbing the attention of his readers. He
bestowed infinite pains on the composition of _Caleb Williams_,
and conceived the lofty hope that it "would constitute an epoch
in the mind of every reader."[76] A friend to whom he submitted
two-thirds of his manuscript advised him to throw it into the
fire and so safeguard his reputation. The result of this
criticism on a character less determined or less phlegmatic than
Godwin's would have been a violent reaction from hope to despair.
But Godwin, who seems to have been independent of external
stimulus, was not easily startled from his projects, and plodded
steadily forward until his story was complete.


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