But by this time the train was already moving with that deceitful
slowness of the departing train, and Harte had to clamber up the steps of
the rearmost platform. His host clambered after, to make sure that he
was aboard, which done, he dropped to the ground, while Harte drew out of
the station, blandly smiling, and waving his hand with a cigar in it, in
picturesque farewell from the platform.
Then his host realized that he had dropped to the ground barely in time
to escape being crushed against the side of the archway that sharply
descended beside the steps of the train, and he went and sat down in that
handsomest hack, and was for a moment deathly sick at the danger that had
not realized itself to him in season. To be sure, he was able, long
after, to adapt the incident to the exigencies of fiction, and to have a
character, not otherwise to be conveniently disposed of, actually crushed
to death between a moving train and such an archway.
Besides, he had then and always afterward, the immense super-compensation
of the memories of that visit from one of the most charming personalities
in the world,
"In life's morning march when his bosom was young,"
and when infinitely less would have sated him. Now death has come to
join its vague conjectures to the broken expectations of life, and that
blithe spirit is elsewhere.
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