Much of the fascination exercised over us
by art, which precisely as art is rude and imperfect in many ways, is to
be ascribed to this source. Though here we must remember that the soul
is often more truly and artistically betrayed by the simple lispings of
childhood than by the ornate and finished eloquence of a rhetorician.
It is in regard to the matter expressed, rather than to the mode of
expression, that we have a right to look for a difference between such
men as Lippo Lippi and Fra Angelico. According to a man's inner tone and
temperament and character, will be the impression produced upon him by
the objects of his contemplation. These will determine him largely in
the choice of his themes, and in the aspect under which he will treat
them. Obviously in many cases there are noble themes of art for whose
appreciation no particular delicacy of moral or religious taste is
required. There is no reason why such a subject as the Laocoon should
make a different impression on a saint and on a profligate. It appeals
to the tragic sense, which may be as highly developed in one as in the
other.
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