And there hang
the broken chains that once, centuries ago, crossed the Arno,--standing
off from the wall, so that it seems as if they might clank, if you
jarred the stereoscope. Tread with us the streets of Pompeii for a
moment: there are the ruts made by the chariots of eighteen hundred
years ago,--it is the same thing as stooping down and looking at the
pavement itself. And here is the amphitheatre out of which the Pompeians
trooped when the ashes began to fall round them from Vesuvius. Behold
the famous gates of the Baptistery at Florence,--but do not overlook the
exquisite iron gates of the railing outside; think of them as you enter
our own Common in Boston from West Street, through those portals which
are fit for the gates of--not paradise. Look at this sugar-temple,--no,
it is of marble, and is the monument of one of the Scalas at Verona.
What a place for ghosts that vast _palazzo_ behind it! Shall we stand in
Venice on the Bridge of Sighs, and then take this stereoscopic gondola
and go through it from St. Mark's to the Arsenal? Not now. We will only
look at the Cathedral,--all the pictures under the arches show in our
glass stereograph,--at the Bronze Horses, the Campanile, the Rialto,
and that glorious old statue of Bartholomew Colleoni,--the very image of
what a partisan leader should be, the broad-shouldered, slender-waisted,
stern-featured old soldier who used to leap into his saddle in full
armor, and whose men would never follow another leader when he died.
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