The Renaissance
palaces and civil buildings of the South and West of Europe are so full
of ingenuity, and the irrepressible inventive power of the artist moves
with so much freedom and grace among the stubborn lines of that revived
architecture, that we cannot but regard the results with a sort of
scholastic pride and pleasure. We cannot but ask ourselves, If the
spirit of those architects could obtain so much liberty under the
restrictions of such an unnatural and unnecessary despotism, what would
have been the result, if they had been put in possession of the very
principles of Hellenic Art, instead of these dangerous and complex
models of Rome, which were so far removed from the purity and simplicity
of their origin? Up to a late day, the great aim of the Renaissance has
been to interpret an advanced civilization with the sensuous line; and
_so far as this line is capable of such expression_, the result has been
satisfactory.
Thus four more weary centuries were added to the fruitless slumbers
of Ideal Beauty among the temples of Greece. Meanwhile, in turn, the
Byzantine, the Northman, the Frank, the Turk, and finally the bombarding
Venetian, left their rude invading footprints among her most cherished
haunts, and defiled her very sanctuary with the brutal touch of
barbarous conquest.
Pages:
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265