Laymen, accustomed to the cold architectural
proprieties of the old Renaissance, and habituated to the formalities
of the five orders, the prudish decorum of Italian window-dressings and
pediments and pilasters and scrolls, are apt to be surprised at such
strange dispositions of unprecedented and heretical features, that the
intention of the building in which they occur is at once patent to the
most casual observer, and the story of its destination told with the
eloquence of a poetical and monumental language. All great revolutions
have proved how hard it is to break through the crust of custom, and
this has been no exception to the rule; yet in justice it must be said
that every intelligent mind, every eye possessing the "gifted simplicity
of vision", to use a happy phrase of Hawthorne's, recognizes the truth
and wisdom there are in the blessed renovations of the _Romantique_,
and looks upon them as the sweeps of a besom clearing away the dust
and cobwebs which ages of prejudice have spread thickly around the
magnificent art of architecture.
Unlike the unwieldy and ponderous classic or Italian systems, whose
pride cannot stoop to anything beneath the haughtiest uses of life
without being broken into the whims of the grotesque and _Rococo_, the
_Romantique_ has already exhibited the graceful ease with which it may
be applied to the most playful as well as the most serious employments
of Art.
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