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Fielding, Henry

"The History Of Tom Jones, A Foundling"

He often resolved, in the
absence of Sophia, to leave her father's house, and to see her no
more; and as often, in her presence, forgot all those resolutions, and
determined to pursue her at the hazard of his life, and at the
forfeiture of what was much dearer to him.
This conflict began soon to produce very strong and visible effects:
for he lost all his usual sprightliness and gaiety of temper, and
became not only melancholy when alone, but dejected and absent in
company; nay, if ever he put on a forced mirth, to comply with Mr.
Western's humour, the constraint appeared so plain, that he seemed
to have been giving the strongest evidence of what he endeavoured to
conceal by such ostentation.
It may, perhaps, be a question, whether the art which he used to
conceal his passion, or the means which honest nature employed to
reveal it, betrayed him most: for while art made him more than ever
reserved to Sophia, and forbad him to address any of his discourse
to her, nay, to avoid meeting her eyes, with the utmost caution;
nature was no less busy in counter-plotting him. Hence, at the
approach of the young lady, he grew pale; and if this was sudden,
started. If his eyes accidentally met hers, the blood rushed into
his cheeks, and his countenance became all over scarlet. If common
civility ever obliged him to speak to her, as to drink her health at
table, his tongue was sure to falter. If he touched her, his hand, nay
his whole frame, trembled.


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